As the Art Director for the CapCut original AI series "HERD", I was deeply involved in establishing the core visual tone and art concept. My role encompassed the complete visual packaging of the series, including promotional poster design, dynamic trailer visual packaging, and customized title typography.

作为艺术指导深度参与 CapCut 原创 AI 短剧项目《HERD》。从前期的核心视觉基调与美术概念设定，到全剧的视觉包装执行——涵盖宣发海报设计、动态预告片视觉包装及定制化标题排版。

This is a fantasy story about “dreams invading reality.” The entire film was generated using Nano Banana and Keling4K.

这是一个关于“梦境入侵现实”的奇幻故事。全片由 Nano Banana 和可灵 Keling4K 生成。

This is the promotional video for the Gabrielle Chanel exhibition at the Power Station of Art, Shanghai. I was responsible for the 3D animation of the costume shots. It was an exciting project to be part of.

这是上海当代艺术博物馆（PSA）举办的“加柏丽尔·香奈儿：时尚宣言”展览的宣传片。我负责了服装镜头的 3D 动画制作。

This was a project from early 2023, where I was primarily responsible for developing the art program.

这是2023年初的一个项目，我主要负责视觉美术方案的制定。

Inspired by "Chernobyl", experiencing the Covid-19 pandemic prompted me to reflect more deeply on the world. As the creation progressed, I continuously challenged my initial concepts and visual settings, redoing a significant amount of content.

短剧《切尔诺贝利》给予了我很大启发。另一方面，经历新冠疫情也让我对这个世界有了更深的思考。随着创作的推进，我不断推翻此前的想法和视觉设定，最终呈现出如今的面貌。

During the early stages, I was primarily responsible for the bird art concepts and the Mobius scene design. As the project progressed, I also took on the animation and lighting rendering for three key shots.

在项目初期，我主要负责飞鸟的美术概念以及莫比乌斯环场景的设计；随着项目的推进，我还承担了莫比乌斯环场景中三个关键镜头的动画与灯光渲染工作。

This is a project I worked on for the Huawei MatePad Pro in early 2023. I was responsible for storyboarding the four videos and provided the art solutions.

这是我在2023年初参与的华为 MatePad Pro 项目。我负责了这四支视频的分镜设计并提供了美术方案。

This project took place in 2022 as Meizu prepared to launch their comeback product, the Meizu 20 series. I was responsible for developing the treatments for two commercials.

该项目发生在2022年，当时魅族正准备推出其回归之作。我负责为魅族 20 和魅族 20 Infinity 两支商业广告制定视觉处理方案。

In the fall of 2022, I worked on a Starbucks commercial where I was responsible for developing the art concept and creating the 3D styleframes.

在2022年秋季，我参与了一支星巴克的商业广告制作，负责开发美术概念并创建3D风格帧（Styleframes）。

Commissioned by Botox in late 2020, this brand film revolves around the theme "It's all in the detail." As Creative Director, I guided the project from initial client briefings and script development to on-set art direction.

2020年底受 Botox 委托制作的品牌宣传片，以“细节决定成败”为核心主题。作为创意总监，我全程深度参与了从前期提案、脚本开发到现场拍摄的美术指导工作。

Developed at Loopstudios in late 2018, this cyberpunk-inspired CGI animation required intricate atmospheric details. My primary role focused on simulating the complex smoke effects and assisting with the final rendering process.

2018年底于 Loopstudios 参与制作的赛博朋克风 CGI 动画短片。我在项目中主要负责复杂的烟雾特效解算与制作，并协助完成了部分镜头的最终渲染。

I’ve created an intro for a music video using AIGC tools, with keyframes derived from a Y2K-style female character I previously designed in Blender 3D. The music was generated by Suno. This music video tells the story of a cybernetic being‘s emotional awakening.

我使用 AIGC 工具为一支 MV 创作了片头，其关键帧源自于我此前在 Blender 中设计的千禧年（Y2K）风格女性角色。配乐由 Suno 生成。这部音乐短片讲述了一个赛博生命体情感觉醒的故事。

At the end of 2021, I participated in the New Chinese Trend Game Character & Scene Design Competition, organized by ZCOOL. Working on it after hours, I took about two weeks to bring the concept to life, and ultimately won the Creative Award.

2021年底，我参加了由站酷（ZCOOL）举办的“新国风”游戏角色与场景设计大赛。利用业余时间，我花了两周左右将概念落地完成制作，并最终荣获了创意奖。

In 2021, I designed the Galderma corporate brochure, taking on comprehensive responsibilities from strategic creative planning to hands-on execution. It was a challenging yet rewarding project.

2021年，我负责了高德美（Galderma）企业宣传册的设计，承担了从策略创意规划到实际落地执行的全方位工作。这是一个充满挑战但也收获颇丰的项目。